<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:psc="http://podlove.org/simple-chapters" xmlns:podcast="https://podcastindex.org/namespace/1.0">
	<channel>
		<title><![CDATA[The Conduction Series]]></title>
		<description><![CDATA[The Conduction Series is a collaborative live radio broadcast produced by sound and transmission artists across the Americas on Wave Farm’s WGXC 90.7-FM Radio for Open Ears in New York’s Upper Hudson Valley. The collective comes together on the first Friday of every month at 3:02pm ET using custom-made software. Emphasizing live radio, interactivity, and media archaeological methods, the series explores themes of migration, noise, feedback, speculative fiction, transmissive theatrics, and recreational aesthetics.]]></description>
		<link>https://conduction.wavefarm.org/</link>
		<generator>The Conduction Series Code Team</generator>
		<lastBuildDate>Thu, 08 Oct 2026 01:08:32 GMT</lastBuildDate>
		<atom:link href="https://conduction.wavefarm.org/rss.xml" rel="self" type="application/rss+xml"/>
		<author><![CDATA[The Conduction Series]]></author>
		<copyright><![CDATA[All rights reserved 2023, The Conduction Series]]></copyright>
		<language><![CDATA[en]]></language>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[radio art]]></category>
		<category><![CDATA[sound art]]></category>
		<itunes:author>The Conduction Series</itunes:author>
		<itunes:summary>A collaborative live radio broadcast produced by a group of sound and transmission artists across the Americas</itunes:summary>
		<itunes:owner>
			<itunes:name>August Black</itunes:name>
			<itunes:email>mail@august.black</itunes:email>
		</itunes:owner>
		<itunes:explicit>false</itunes:explicit>
		<itunes:category text="Arts">
			<itunes:category text="Radio Art"/>
			<itunes:category text="Sound Art"/>
			<itunes:category text="Performing Arts"/>
		</itunes:category>
		<itunes:image href="https://assets.august.black/conduction_series/logo/maple_seed_crafted_mono.svg"/>
		<item>
			<title><![CDATA[Cambrian Explosion]]></title>
			<description><![CDATA[CONDUCTION SERIES: THE CAMBRIAN EXPLOSION
Betsey Biggs: Friday, October 2, 2026
This is all obviously simplified and made to fit a musical journey but I
hope it tells the broader story. In many ways, it’s about noticing and
embodying change.
Performance notes: we should not all move together into each new era;
rather, we should drift and evolve through this as life did. Also, I don’t
think it should build up the entire time. I think moments of quiet, perhaps
just the hydrophone, might build suspense and a more complex structure.
I trust us to feel this out.
PART I: EDIACARAN (635-538 MILLION YEARS AGO)
Vibe: Peaceful, hypnotic, slow
All life underwater, no predators, soft-bodied immobile creatures
- Hydrophone recordings underneath everything
- Undulating low frequency drones
- Warm pads fading in and out (with low-pass filters, should be gentle)
- Sounds should fill the stereo field but be immobile
- Verbs: drift, float, breathe, bloom, immerse, hover, linger
Animal names to whisper/vocalize: Sea Sponges, Crawling Worms,
Jellyfish, Dickensonia, Kimbarelle, Charnia (CHAR-nee-a), Spriggina
(sprigg-IN-ah)
PART II: EARLY CAMBRIAN EXPLOSION! (538-525 MILLION YEARS
AGO)
Vibe: Subtle movement, gritty sounds and friction
Animals begin to move and burrow through the mud, micro-armor
appears
- The drones from Part I continue
- Scraping and scratchy organic sounds
- Squelching mud, gravel, clay
- High frequency piercing clicks and tings (insects?)
- Slow pans
- Verbs: burrow, crawl, scrape, emerge, dig, scuttle
Animal names to whisper/vocalize: Sea Sponge, Jellyfish, Crawling
Worms, Burrowing Worms, Trilobites (TRY-loh-bites)
PART III: PREDATORS! (525-515 MILLION YEARS AGO)
Vibe: Activity gets more frenetic and fluid
More oxygen in the ocean results in much larger and complex animals
filtering oxygen through primitive gills and skin; the first eyes create
predator-prey relationships.
- Earlier sounds continue
- LFO filtering white noise beats for animals filtering oxygen thru bodies
- Fast and fluttering sounds panned quickly throughout stereo field
- Sharp snaps and clicks panned quickly throughout stereo field
Verbs: hunt, stalk, detect, pursue, flutter, snap, strike, ambush, flee
Animal names to whisper/vocalize: Sea Sponges, Jellyfish, Crawling
Worms, Burrowing Worms, Swimming Worms, Trilobites (TRY-loh-bites),
Opabinia (oh-pah-BIN-ee-ah), Anomalocaris (uh-NOH-muh-lo-CARE-is),
Haikouichthys (hay-koo-ICK-thiss)
PART IV: MONSTROUS CACOPHONY! (515-505 MILLION YEARS
AGO)
Vibe: Aggressive, industrial, intense
The height of armored giants, scuttling scavengers, and other weird
predators
- Earlier sounds continue, perhaps with some slowly moving single
pitches representing floating jellyfish
- Scuttling clicking sounds overlapping with one another
- Glitched out radio static and alien synth attacks!
- Heavy grinding loops
- Panning and dissonance at their height
- Verbs: swarm, collide, overwhelm, multiply, crush, erupt
Animal names to whisper/vocalize: Sea Sponges, Jellyfish, Crawling
Worms, Burrowing Worms, Swimming Worms, Spiny Worms, Trilobites
(TRY-loh-bites), Opabinia (oh-pah-BIN-ee-ah), Wiwaxia (wih-WAK-see-uh),
Anomalocaris (uh-NOH-muh-lo-CARE-is), Marrella (muh-RELL-uh),
Hallucigenia (huh-LUSE-ih-JEEN-ee-ah)
PART V: CAMBRIAN SYMPHONY (505-485 MILLION YEARS AGO)
Vibe: Integrated ecosystem where all earlier sounds have achieved more
regularity and balance
The chaos of the Cambrian explosion slows down, the major groups of
life forms have evolved into a stable ecosystem and a unified groove
- Earlier sounds continue, but lose their frantic edge, and blend into a
unified groove
- Violent panning becomes more regular
- All movements start to become more rhythmically integrated
- Verbs: respond, circulate, repeat, interweave, synchronize, balance
Animal names to whisper/vocalize: Sea Sponges, Jellyfish, Crawling
Worms, Burrowing Worms, Swimming Worms, Spiny Worms, Trilobites
(TRY-loh-bites), Hallucigenia (huh-LUSE-ih-JEEN-ee-ah), Wiwaxia (wih-
WAK-see-uh), Pikaia (pih-KYE-uh), Conodonts (KON-oh-donts),
Brachiopods (BRAK-ee-oh-podz)
PART VI: FOSSILIZE
The last several minutes begin slowly dissolving into an intense long
reverb that turns everything into a drone, ultimately so long that it all
sounds like a fossil.
Verbs: converge, settle, layer, suspend, dissolve, remain]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2026-10-02T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 02 Oct 2026 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2026_10_02-cambrian_explosion.mp3" length="55680620" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:summary>CONDUCTION SERIES: THE CAMBRIAN EXPLOSION
Betsey Biggs: Friday, October 2, 2026
This is all obviously simplified and made to fit a musical journey but I
hope it tells the broader story. In many ways, it’s about noticing and
embodying change.
Performance notes: we should not all move together into each new era;
rather, we should drift and evolve through this as life did. Also, I don’t
think it should build up the entire time. I think moments of quiet, perhaps
just the hydrophone, might build suspense and a more complex structure.
I trust us to feel this out.
PART I: EDIACARAN (635-538 MILLION YEARS AGO)
Vibe: Peaceful, hypnotic, slow
All life underwater, no predators, soft-bodied immobile creatures
- Hydrophone recordings underneath everything
- Undulating low frequency drones
- Warm pads fading in and out (with low-pass filters, should be gentle)
- Sounds should fill the stereo field but be immobile
- Verbs: drift, float, breathe, bloom, immerse, hover, linger
Animal names to whisper/vocalize: Sea Sponges, Crawling Worms,
Jellyfish, Dickensonia, Kimbarelle, Charnia (CHAR-nee-a), Spriggina
(sprigg-IN-ah)
PART II: EARLY CAMBRIAN EXPLOSION! (538-525 MILLION YEARS
AGO)
Vibe: Subtle movement, gritty sounds and friction
Animals begin to move and burrow through the mud, micro-armor
appears
- The drones from Part I continue
- Scraping and scratchy organic sounds
- Squelching mud, gravel, clay
- High frequency piercing clicks and tings (insects?)
- Slow pans
- Verbs: burrow, crawl, scrape, emerge, dig, scuttle
Animal names to whisper/vocalize: Sea Sponge, Jellyfish, Crawling
Worms, Burrowing Worms, Trilobites (TRY-loh-bites)
PART III: PREDATORS! (525-515 MILLION YEARS AGO)
Vibe: Activity gets more frenetic and fluid
More oxygen in the ocean results in much larger and complex animals
filtering oxygen through primitive gills and skin; the first eyes create
predator-prey relationships.
- Earlier sounds continue
- LFO filtering white noise beats for animals filtering oxygen thru bodies
- Fast and fluttering sounds panned quickly throughout stereo field
- Sharp snaps and clicks panned quickly throughout stereo field
Verbs: hunt, stalk, detect, pursue, flutter, snap, strike, ambush, flee
Animal names to whisper/vocalize: Sea Sponges, Jellyfish, Crawling
Worms, Burrowing Worms, Swimming Worms, Trilobites (TRY-loh-bites),
Opabinia (oh-pah-BIN-ee-ah), Anomalocaris (uh-NOH-muh-lo-CARE-is),
Haikouichthys (hay-koo-ICK-thiss)
PART IV: MONSTROUS CACOPHONY! (515-505 MILLION YEARS
AGO)
Vibe: Aggressive, industrial, intense
The height of armored giants, scuttling scavengers, and other weird
predators
- Earlier sounds continue, perhaps with some slowly moving single
pitches representing floating jellyfish
- Scuttling clicking sounds overlapping with one another
- Glitched out radio static and alien synth attacks!
- Heavy grinding loops
- Panning and dissonance at their height
- Verbs: swarm, collide, overwhelm, multiply, crush, erupt
Animal names to whisper/vocalize: Sea Sponges, Jellyfish, Crawling
Worms, Burrowing Worms, Swimming Worms, Spiny Worms, Trilobites
(TRY-loh-bites), Opabinia (oh-pah-BIN-ee-ah), Wiwaxia (wih-WAK-see-uh),
Anomalocaris (uh-NOH-muh-lo-CARE-is), Marrella (muh-RELL-uh),
Hallucigenia (huh-LUSE-ih-JEEN-ee-ah)
PART V: CAMBRIAN SYMPHONY (505-485 MILLION YEARS AGO)
Vibe: Integrated ecosystem where all earlier sounds have achieved more
regularity and balance
The chaos of the Cambrian explosion slows down, the major groups of
life forms have evolved into a stable ecosystem and a unified groove
- Earlier sounds continue, but lose their frantic edge, and blend into a
unified groove
- Violent panning becomes more regular
- All movements start to become more rhythmically integrated
- Verbs: respond, circulate, repeat, interweave, synchronize, balance
Animal names to whisper/vocalize: Sea Sponges, Jellyfish, Crawling
Worms, Burrowing Worms, Swimming Worms, Spiny Worms, Trilobites
(TRY-loh-bites), Hallucigenia (huh-LUSE-ih-JEEN-ee-ah), Wiwaxia (wih-
WAK-see-uh), Pikaia (pih-KYE-uh), Conodonts (KON-oh-donts),
Brachiopods (BRAK-ee-oh-podz)
PART VI: FOSSILIZE
The last several minutes begin slowly dissolving into an intense long
reverb that turns everything into a drone, ultimately so long that it all
sounds like a fossil.
Verbs: converge, settle, layer, suspend, dissolve, remain</itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[No Pressure]]></title>
			<description><![CDATA[No Pressure

To press, from Latin premere: to squeeze. From it come op-press, de-press, im-press, ex-press. It happened to me that I hear  "no pressure" the way some people say... as the atmosphere weighs nothing... as is the words weighs nothing... 

Whenever you can. No rush. It's nothing. A hand on my back that passes for a caress. And I also thought about a translation into sound ..wich is a travelling difference of pressure, and the p of please is a burst of air against a diaphragm of a microphone , for example. 

I though we can bring two things: 1) a lexicon of relief ... the phrases people use to lower the pressure they're applying in the same breath......which pop when read close to the mic;  and maybe also a compendium of "proposals" or "questions" that we feel as something ejercing pressure.  you are forty, it's interesting you decided not to have children

and 2)  sound pressure as material: the plosive as a blow,  compression flattening everything, ssilence. Some stories can carry speech, others a few words, others only sound. A boiling kettle, the life of a volcano, a football match... or just a chord transition, pressure and release. 

We can organize the broadcast in Three movements: equilibrium (no pressure), accumulation (increasing pressure) , release (...) . 

It would be nice if  each of you imagine a narration with this structure ...  however you want,  it could even be a harmonic transition .... or a dialogue, a poem, a text . Live, we mix it into a single breath. 

No pressure. ]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2026-09-04T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian]]></dc:creator>
			<pubDate>Fri, 04 Sep 2026 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2026_09_04-no_pressureJuana.mp3" length="55680621" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian</itunes:author>
			<itunes:summary>No Pressure

To press, from Latin premere: to squeeze. From it come op-press, de-press, im-press, ex-press. It happened to me that I hear  &quot;no pressure&quot; the way some people say... as the atmosphere weighs nothing... as is the words weighs nothing... 

Whenever you can. No rush. It&apos;s nothing. A hand on my back that passes for a caress. And I also thought about a translation into sound ..wich is a travelling difference of pressure, and the p of please is a burst of air against a diaphragm of a microphone , for example. 

I though we can bring two things: 1) a lexicon of relief ... the phrases people use to lower the pressure they&apos;re applying in the same breath......which pop when read close to the mic;  and maybe also a compendium of &quot;proposals&quot; or &quot;questions&quot; that we feel as something ejercing pressure.  you are forty, it&apos;s interesting you decided not to have children

and 2)  sound pressure as material: the plosive as a blow,  compression flattening everything, ssilence. Some stories can carry speech, others a few words, others only sound. A boiling kettle, the life of a volcano, a football match... or just a chord transition, pressure and release. 

We can organize the broadcast in Three movements: equilibrium (no pressure), accumulation (increasing pressure) , release (...) . 

It would be nice if  each of you imagine a narration with this structure ...  however you want,  it could even be a harmonic transition .... or a dialogue, a poem, a text . Live, we mix it into a single breath. 

No pressure. </itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Slow As Possible]]></title>
			<description><![CDATA[The same as last month, only slower.]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2026-08-07T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 07 Aug 2026 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2026_08_07-slow_as_possible.mp3" length="55879888" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:summary>The same as last month, only slower.</itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[As Slow As Possible]]></title>
			<description><![CDATA[
On Friday (July 3), I'd like to align our broadcast with WGXC's upcoming pledge drive theme: Slow Down Tune In. We (Meredith, Bianca, Caroline, I) were inspired by the Slow Media movement, which takes a cue from the Slow Food movement. 

Recipe:
1) Choose one very simple thing that makes sound. If you choose your flute and want to play a phrase, the phrase should only contain 4 notes or less. 

2) Practice doing that thing as slowly as you can. Perhaps you will only play those four notes twice during our 58-minute broadcast. 

3) Fill the hour with your one sound. Don't take a break. Do that one thing, very slowly, for the entire broadcast. It's fine to play a chord or a polyphonic something. 

4) Practice doing your slow thing continuously for 58 minutes. 

My plan is for there to be as little temporal variation as possible, but timbral variation BETWEEN EACH OTHER is good. Do not vary the thing that you do. Do one thing very slowly and fill the hour with that one thing. Become bored.
]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2026-07-03T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[August Black, Peter Courtemanche, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 03 Jul 2026 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2026_07_03-as_slow_as_possible.mp3" length="57656685" type="audio/mpeg"/>
			<itunes:author>August Black, Peter Courtemanche, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:summary>
On Friday (July 3), I&apos;d like to align our broadcast with WGXC&apos;s upcoming pledge drive theme: Slow Down Tune In. We (Meredith, Bianca, Caroline, I) were inspired by the Slow Media movement, which takes a cue from the Slow Food movement. 

Recipe:
1) Choose one very simple thing that makes sound. If you choose your flute and want to play a phrase, the phrase should only contain 4 notes or less. 

2) Practice doing that thing as slowly as you can. Perhaps you will only play those four notes twice during our 58-minute broadcast. 

3) Fill the hour with your one sound. Don&apos;t take a break. Do that one thing, very slowly, for the entire broadcast. It&apos;s fine to play a chord or a polyphonic something. 

4) Practice doing your slow thing continuously for 58 minutes. 

My plan is for there to be as little temporal variation as possible, but timbral variation BETWEEN EACH OTHER is good. Do not vary the thing that you do. Do one thing very slowly and fill the hour with that one thing. Become bored.
</itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Eucatastrophe]]></title>
			<description><![CDATA[
Definition: A eucatastrophe is a sudden turn of events in a story which ensures that the protagonist does not meet some terrible, impending, and plausible and probable doom.[1] The concept was created by the philologist and fantasy author J. R. R. Tolkien in his essay "On Fairy-Stories", based on a 1939 lecture. The term has since been taken up by other authors, and by scholars.

///

I will come up with a blurb + flyer soon. As far as score I am not feeling having something rigid at all this time around.

I would just say that given the current shape of things, the brutality of this neocolonial push on south america (and the global south in general). The apathy and total uselessness of NATO, UN and all other excuses and strong condemnations. The total corruption to the bone of every state, politician and humans in general. The only hope I have for the worst species ever to inhabit the solar system is a Eucatastrophe, either for us humans to wake up and smell the coffee and take down the apparatus that is ruling over this matrix or one for the whole other species of life that inhabit this Earth are on the verge of extinction due to our presence and utter stupidity.

So, I summon thee to connect with whatever gives you hope, be it human extinction at a faster pace, alien intervention, global awakening towards love and not hate, knowing that eventually everything will be devoured by the Sun or probably much nicer thoughts than these mental doom loops.

Sound wise I do not wish to over-control or propose something too specific, like I did for 4th of july show last year. Nevertheless I would suggest harmony, drones, nature, soft voice, song, ....
Also, please if possible find a phrase or text related to this that you would be willing to share, either with you own voice or for other voices to activate during the session.

Tuning into hope within hopelessness.

]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2026-06-05T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 05 Jun 2026 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2026_06_05-eucatastrophe.mp3" length="54720620" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:summary>
Definition: A eucatastrophe is a sudden turn of events in a story which ensures that the protagonist does not meet some terrible, impending, and plausible and probable doom.[1] The concept was created by the philologist and fantasy author J. R. R. Tolkien in his essay &quot;On Fairy-Stories&quot;, based on a 1939 lecture. The term has since been taken up by other authors, and by scholars.

///

I will come up with a blurb + flyer soon. As far as score I am not feeling having something rigid at all this time around.

I would just say that given the current shape of things, the brutality of this neocolonial push on south america (and the global south in general). The apathy and total uselessness of NATO, UN and all other excuses and strong condemnations. The total corruption to the bone of every state, politician and humans in general. The only hope I have for the worst species ever to inhabit the solar system is a Eucatastrophe, either for us humans to wake up and smell the coffee and take down the apparatus that is ruling over this matrix or one for the whole other species of life that inhabit this Earth are on the verge of extinction due to our presence and utter stupidity.

So, I summon thee to connect with whatever gives you hope, be it human extinction at a faster pace, alien intervention, global awakening towards love and not hate, knowing that eventually everything will be devoured by the Sun or probably much nicer thoughts than these mental doom loops.

Sound wise I do not wish to over-control or propose something too specific, like I did for 4th of july show last year. Nevertheless I would suggest harmony, drones, nature, soft voice, song, ....
Also, please if possible find a phrase or text related to this that you would be willing to share, either with you own voice or for other voices to activate during the session.

Tuning into hope within hopelessness.

</itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Mayday]]></title>
			<description><![CDATA[Since the first Friday in May is the 1st I propose "May Day daymay" as the title.

May Day has a variety of different histories depending on where you are from.

In Vancouver it used to be a day when the police would hassle groups of high school students when they went out to march in support of workers.Labour, beginning of Spring, displaying the strength of the nation ..all of these are signs of May Day.

      Mayday(as a single word) is also an emergency call for boats and airplanes.It might be "illegal" to use on the radio now ?? But we can hint at it I'm sure.

I'm not sure about the graphics. Is there a way to bring all the May Day ish things together in a collage? If someone has an idea, please go for it.
    ]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2026-05-01T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian]]></dc:creator>
			<pubDate>Fri, 01 May 2026 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2026_05_01-mayday.mp3" length="55589824" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian</itunes:author>
			<itunes:summary>Since the first Friday in May is the 1st I propose &quot;May Day daymay&quot; as the title.

May Day has a variety of different histories depending on where you are from.

In Vancouver it used to be a day when the police would hassle groups of high school students when they went out to march in support of workers.Labour, beginning of Spring, displaying the strength of the nation ..all of these are signs of May Day.

      Mayday(as a single word) is also an emergency call for boats and airplanes.It might be &quot;illegal&quot; to use on the radio now ?? But we can hint at it I&apos;m sure.

I&apos;m not sure about the graphics. Is there a way to bring all the May Day ish things together in a collage? If someone has an idea, please go for it.
    </itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Iceberg Submarine]]></title>
			<description><![CDATA[• tactics, counter - surveillance, listening above and below the surface of something(the sea, the culture, the politics of the day, etc).The idea that something is much larger below the surface than it seems from above. • sonic ambience— we can work from the deeps to the surface, exploring perhaps we begin at the waterline then dive deep, and poke up our periscopes once in a while, then finally surface ? • below water things might slow down, can be sonic suggestions of new forms / creatures / ideas / reveries; also below the surface new forms of power, our future jellyfish overlords are waiting in polyp form, vast bergs melting and seas rising • listening to codes and signals from the submarine, interceptions, sneaking around ? ]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2026-04-03T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 03 Apr 2026 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2026_04_02-iceberg_submarineJauna.mp3" length="55680620" type="audio/mpeg"/>
			<itunes:author>August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:summary>• tactics, counter - surveillance, listening above and below the surface of something(the sea, the culture, the politics of the day, etc).The idea that something is much larger below the surface than it seems from above. • sonic ambience— we can work from the deeps to the surface, exploring perhaps we begin at the waterline then dive deep, and poke up our periscopes once in a while, then finally surface ? • below water things might slow down, can be sonic suggestions of new forms / creatures / ideas / reveries; also below the surface new forms of power, our future jellyfish overlords are waiting in polyp form, vast bergs melting and seas rising • listening to codes and signals from the submarine, interceptions, sneaking around ? </itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Sacrificial Bonfire]]></title>
			<description><![CDATA[
I've been thinking a lot about our next broadcast, trying to organize my thoughts into a pithy concise directive for the month. There’s a couple of conceptual thoughts that have been percolating but given how much the current political situation occupies so much of my thinking these days, it seems best to honor and address that.

In particular I’ve been thinking about something a friend in Jerusalem said just after the last election.I was fretting over what was in store with the 2nd term of our president(ahem) approaching, and he said something like “from my perspective, for those of us in the rest of the world, it doesn't seem like there is that much difference between which of your two candidates wins.” Of course he was right… and at the same time also not completely right at all. 

I’ve been thinking a lot about the difficulty of processing such immense losses at the end of the myth of American exceptionalism.From the uncounted dead due to the end of USAID, to the casualties as a result of the depreciation of science, how much ruin the US has enabled that has gone — and all in likelihood will continue to go — unmourned. 

Perhaps what’s called for is a proper funeral, but one that’s more like one in New Orleans, or Ghana, or Thailand.One that acknowledges the passings of things lost, but also celebrates life and the future.One where the United States is humbled on the world stage, and is forced at last to finally shut up about how it’s the greatest place on earth.

  I’m not sure how to translate this into a simple(or for that matter non - simple) directive.Maybe my thinking is naive.And maybe a conscious ceremony akin to those where people write the things they want to be done with on a piece of paper and throw them into a fire is appropriate right now.A Bonfire of the Vanities so to speak, but minus the joyless and harshly judgmental religious connotations.

I welcome your thoughts.
]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2026-03-06T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Fernando Godoy, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 06 Mar 2026 20:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2026_03_06-sacrificial_bonfire.mp3" length="55680620" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Fernando Godoy, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:summary>
I&apos;ve been thinking a lot about our next broadcast, trying to organize my thoughts into a pithy concise directive for the month. There’s a couple of conceptual thoughts that have been percolating but given how much the current political situation occupies so much of my thinking these days, it seems best to honor and address that.

In particular I’ve been thinking about something a friend in Jerusalem said just after the last election.I was fretting over what was in store with the 2nd term of our president(ahem) approaching, and he said something like “from my perspective, for those of us in the rest of the world, it doesn&apos;t seem like there is that much difference between which of your two candidates wins.” Of course he was right… and at the same time also not completely right at all. 

I’ve been thinking a lot about the difficulty of processing such immense losses at the end of the myth of American exceptionalism.From the uncounted dead due to the end of USAID, to the casualties as a result of the depreciation of science, how much ruin the US has enabled that has gone — and all in likelihood will continue to go — unmourned. 

Perhaps what’s called for is a proper funeral, but one that’s more like one in New Orleans, or Ghana, or Thailand.One that acknowledges the passings of things lost, but also celebrates life and the future.One where the United States is humbled on the world stage, and is forced at last to finally shut up about how it’s the greatest place on earth.

  I’m not sure how to translate this into a simple(or for that matter non - simple) directive.Maybe my thinking is naive.And maybe a conscious ceremony akin to those where people write the things they want to be done with on a piece of paper and throw them into a fire is appropriate right now.A Bonfire of the Vanities so to speak, but minus the joyless and harshly judgmental religious connotations.

I welcome your thoughts.
</itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[One Sentence for Minnesota]]></title>
			<description><![CDATA[
Ghostly particles.
Neutrinos spewed by the Milky Way’s stars.
A nervous system of underground labyrinths.
Adapted from the “One Sentence” Radio Camp idea(August, Betsey, Elizabeth,
    Roberto)
ACT I: “Ghostly particles.”
ACT II: “Neutrinos spewed by the Milky Way’s stars.”
ACT III: “A nervous system of underground labyrinths.”
These words are taken from recent headlines.
The group uses this text, and this text only, to create sound for the performance.It is
divided into three sections which can be loosely followed.
The meaning of the text can be interpreted and sounded — perhaps a cosmic hum, the
imagined sounds of neutrinos and ghostly particles, a nervous labyrinth, etc.These
might be background sounds.
The text can also be read in or out of order, by one’s own voice or another.It can be
sped up or slowed down.It can be chanted or read as a broadcaster might read the
news.
It can be cut up, deconstructed, rearranged.
The consonants and / or vowels can be read in any order as concrete poetry, consonant
rhythms, a hissing of sibilint S’s, a low hum from just the vowels.
The text can be read as data by audio software, or as an image by visual software
which is then read as data by audio software.
The text can be seen as a graphical score.
Anything you can imagine to do that uses this text as source material is fair game.

After some deliberation about the amount of abstraction we wanted considering the reality happening in Minnesota, we arrived at a final one sentence text: Ghostly particles // on a snowy Minneapolis road // land of 10,000 lakes // absences and loss of innocence // a heavy weight // all hell broke loose // spider-Man backpack and floppy-eared hat // a world where a barrage of honks and whistles signal // they’re having night terrors // passports around their necks // a nervous system of underground labyrinths.
    ]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2026-02-06T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Jeff Economy, Anna Friz, Jimmy Garver, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 06 Feb 2026 20:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2026_02_06-one_sentence.mp3" length="55680620" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Jeff Economy, Anna Friz, Jimmy Garver, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:summary>
Ghostly particles.
Neutrinos spewed by the Milky Way’s stars.
A nervous system of underground labyrinths.
Adapted from the “One Sentence” Radio Camp idea(August, Betsey, Elizabeth,
    Roberto)
ACT I: “Ghostly particles.”
ACT II: “Neutrinos spewed by the Milky Way’s stars.”
ACT III: “A nervous system of underground labyrinths.”
These words are taken from recent headlines.
The group uses this text, and this text only, to create sound for the performance.It is
divided into three sections which can be loosely followed.
The meaning of the text can be interpreted and sounded — perhaps a cosmic hum, the
imagined sounds of neutrinos and ghostly particles, a nervous labyrinth, etc.These
might be background sounds.
The text can also be read in or out of order, by one’s own voice or another.It can be
sped up or slowed down.It can be chanted or read as a broadcaster might read the
news.
It can be cut up, deconstructed, rearranged.
The consonants and / or vowels can be read in any order as concrete poetry, consonant
rhythms, a hissing of sibilint S’s, a low hum from just the vowels.
The text can be read as data by audio software, or as an image by visual software
which is then read as data by audio software.
The text can be seen as a graphical score.
Anything you can imagine to do that uses this text as source material is fair game.

After some deliberation about the amount of abstraction we wanted considering the reality happening in Minnesota, we arrived at a final one sentence text: Ghostly particles // on a snowy Minneapolis road // land of 10,000 lakes // absences and loss of innocence // a heavy weight // all hell broke loose // spider-Man backpack and floppy-eared hat // a world where a barrage of honks and whistles signal // they’re having night terrors // passports around their necks // a nervous system of underground labyrinths.
    </itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Art's Birthday: Under the Volcano Cake]]></title>
			<description><![CDATA[January 17, 2026 1 pm - 2 pm PT. A special radio show for Art's Birthday 2026 Airing live on CITR FM's annual '24 Hours of Radio Art' at citr.ca and on-air in Vancouver at 101.9 FM. The Conduction Series is an improvisational group of ten radio artists from across the Americas who come together once a month to perform a live radio show for WGXC in New York State. As a special treat, they are performing live on CITR. For Art's Birthday they will join together with special guest (and cake baker) Deanne Achong (in Newfoundland) to play with the sounds of mixing, baking, lava flowing, erupting, cooling and eating. All in celebration of CITR's annual 24 hour radio art extravaganza.]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2026-01-17T16:00:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[August Black, Peter Courtemanche, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian]]></dc:creator>
			<pubDate>Sat, 17 Jan 2026 21:00:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2026_01_17_UnderVolcanoCake_NOALARM_128k.mp3" length="49679616" type="audio/mpeg"/>
			<itunes:author>August Black, Peter Courtemanche, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian</itunes:author>
			<itunes:summary>January 17, 2026 1 pm - 2 pm PT. A special radio show for Art&apos;s Birthday 2026 Airing live on CITR FM&apos;s annual &apos;24 Hours of Radio Art&apos; at citr.ca and on-air in Vancouver at 101.9 FM. The Conduction Series is an improvisational group of ten radio artists from across the Americas who come together once a month to perform a live radio show for WGXC in New York State. As a special treat, they are performing live on CITR. For Art&apos;s Birthday they will join together with special guest (and cake baker) Deanne Achong (in Newfoundland) to play with the sounds of mixing, baking, lava flowing, erupting, cooling and eating. All in celebration of CITR&apos;s annual 24 hour radio art extravaganza.</itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Truths Under Construction]]></title>
			<description><![CDATA[How do we end up agreeing on certain ideas? As we persist in repeating them, social contracts begin to form, and over time some rather absurd “truths” arise—such as those embedded in various religious and political belief systems. What silent needs are so powerful that they keep these ideas alive, sometimes for millennia? I’d love to hear your answers. By the way, Merry Christmas, Kwanzaa, Hanukkah, Shalako, Soyal…]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2025-12-05T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[August Black, Peter Courtemanche, Florencia Curci, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 05 Dec 2025 20:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2025_12_05-truthJuana.mp3" length="55699820" type="audio/mpeg"/>
			<itunes:author>August Black, Peter Courtemanche, Florencia Curci, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:summary>How do we end up agreeing on certain ideas? As we persist in repeating them, social contracts begin to form, and over time some rather absurd “truths” arise—such as those embedded in various religious and political belief systems. What silent needs are so powerful that they keep these ideas alive, sometimes for millennia? I’d love to hear your answers. By the way, Merry Christmas, Kwanzaa, Hanukkah, Shalako, Soyal…</itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[The Spiral]]></title>
			<description><![CDATA[The record groove or a strip of tape moves forward by circling, slipping into another layer each time. That coiling motion echoes how time forms paths that don’t quite repeat. The spiral frames the way patterns return at different scales, from tiny biological curves to movements that shift light, air, and weather. A shared structure keeps resurfacing and shows how things grow and reorganize, how memory drifts, and how repetition comes back slightly off axis, opening another turn.]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2025-11-07T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian]]></dc:creator>
			<pubDate>Fri, 07 Nov 2025 20:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2025_11_07-the_spiralPsycho.mp3" length="55648748" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian</itunes:author>
			<itunes:summary>The record groove or a strip of tape moves forward by circling, slipping into another layer each time. That coiling motion echoes how time forms paths that don’t quite repeat. The spiral frames the way patterns return at different scales, from tiny biological curves to movements that shift light, air, and weather. A shared structure keeps resurfacing and shows how things grow and reorganize, how memory drifts, and how repetition comes back slightly off axis, opening another turn.</itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[No Title]]></title>
			<description><![CDATA[58 minutes of networked improvisation with six participants listening and playing to and along side one another.]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2025-10-03T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[August Black, Peter Courtemanche, Anna Friz, Jimmy Garver, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 03 Oct 2025 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2025_10_03-notitlePsycho.mp3" length="55712876" type="audio/mpeg"/>
			<itunes:author>August Black, Peter Courtemanche, Anna Friz, Jimmy Garver, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:summary>58 minutes of networked improvisation with six participants listening and playing to and along side one another.</itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Audio Termites: LIVE on Ö1 Kunst zum Hören / Kunstradio]]></title>
			<description><![CDATA[LIVE from the RP2 studios at the Austrian Funkhaus in Vienna on National Radio: Ö1 Kunst zum Hören / Kunstradio, this broadcast is a sonic self - portrait of the group.We improvised a show about ourselves, or rather about how we describe ourselves sonically, acoustically, and verbally.]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2025-09-25T17:00:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian]]></dc:creator>
			<pubDate>Thu, 25 Sep 2025 21:00:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2025_09_25-audio_termitesPsycho.mp3" length="55680620" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian</itunes:author>
			<itunes:summary>LIVE from the RP2 studios at the Austrian Funkhaus in Vienna on National Radio: Ö1 Kunst zum Hören / Kunstradio, this broadcast is a sonic self - portrait of the group.We improvised a show about ourselves, or rather about how we describe ourselves sonically, acoustically, and verbally.</itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Audio Termites]]></title>
			<description><![CDATA[This broadcast is a sonic self - portrait of the group.We improvised a show about ourselves, or rather about how we describe ourselves sonically, acoustically, and verbally.]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2025-09-05T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 05 Sep 2025 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2025_09_05-audio_termitesPsycho.mp3" length="55688684" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:summary>This broadcast is a sonic self - portrait of the group.We improvised a show about ourselves, or rather about how we describe ourselves sonically, acoustically, and verbally.</itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[The Worst Radio Show Ever]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2025-08-01T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 01 Aug 2025 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2025_08_01-worst_radio_ever.mp3" length="55712889" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Sustained Fallout]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2025-07-04T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[August Black, Peter Courtemanche, Jeff Economy, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 04 Jul 2025 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2025_07_04-sustained_falloutCutPsycho.mp3" length="55680620" type="audio/mpeg"/>
			<itunes:author>August Black, Peter Courtemanche, Jeff Economy, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Shipwreck Archetype]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2025-06-06T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 06 Jun 2025 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2025_06_06-shipwreck_archetype44.1Can.mp3" length="55680774" type="audio/mpeg"/>
			<itunes:author>August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Remaking The Making]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2025-05-02T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Florencia Curci, Jeff Economy, Jimmy Garver, Virginia Mantinian]]></dc:creator>
			<pubDate>Fri, 02 May 2025 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2025_05_02-the_makingCan44k.mp3" length="55840852" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Florencia Curci, Jeff Economy, Jimmy Garver, Virginia Mantinian</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[White Washing]]></title>
			<description><![CDATA[We all start our washing machines at the same time and live mic them into a real-time audio-radio brainwashing.  Whose machine will sound the best?  Can we do multi-channel? How do we get the whites as white as possible?]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2025-04-04T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Virginia Mantinian]]></dc:creator>
			<pubDate>Fri, 04 Apr 2025 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2025_04_04-propagandaCan.mp3" length="57344876" type="audio/mpeg"/>
			<itunes:author>August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Virginia Mantinian</itunes:author>
			<itunes:summary>We all start our washing machines at the same time and live mic them into a real-time audio-radio brainwashing.  Whose machine will sound the best?  Can we do multi-channel? How do we get the whites as white as possible?</itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Involuntary Transmission]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2025-03-07T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Jeff Economy, Anna Friz, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 07 Mar 2025 20:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2025_03_07-involuntary_transmissionsCan.mp3" length="56896748" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Jeff Economy, Anna Friz, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Reindeer Cyclone]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2025-02-07T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian]]></dc:creator>
			<pubDate>Fri, 07 Feb 2025 20:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2025_02_07-reindeer_cycloneMCan16.mp3" length="55968620" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Bildungsroman]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2025-01-03T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Jeff Economy, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino, Tom Sherman]]></dc:creator>
			<pubDate>Fri, 03 Jan 2025 20:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2025_01_03-bildungsromanMCan16.mp3" length="54800876" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Jeff Economy, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino, Tom Sherman</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Untitled Abstraction #1]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2024-12-06T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Jeff Economy, Anna Friz, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 06 Dec 2024 20:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2024_12_06-untitled_abstraction.mp3" length="57299180" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Jeff Economy, Anna Friz, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Dead Air or the Mission to Tie]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2024-11-01T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Virginia Mantinian]]></dc:creator>
			<pubDate>Fri, 01 Nov 2024 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2024_11_01_dead_airMastered.mp3" length="47902316" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Virginia Mantinian</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Más Allá del Fin del Mundo]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2024-10-04T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[August Black, Peter Courtemanche, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 04 Oct 2024 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2024_10_04-edge.mp3" length="55963008" type="audio/mpeg"/>
			<itunes:author>August Black, Peter Courtemanche, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[SUNSET]]></title>
			<description><![CDATA[The first 90% of the episode will be a sunset - 40 minutes of fading out, like a lozenge being absorbed into the walls of your mouth. Slowly oozing away. A slow leak. Please prepare half tones and long exhales. I will provide some counterpoint to this in the form of small wigglings, like worms. Then! For the final 10 minutes, the new thing will grow. The worms will get more lively, you all will multiply the worms; they’ll fester and become more active. They’ll take on brassy, fast, zippy forms and in the final minutes unleash themselves into the world. Newborn!]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2024-09-06T15:02:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Fri, 06 Sep 2024 19:02:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2024_09-06-sunset.mp3" length="55569024" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:summary>The first 90% of the episode will be a sunset - 40 minutes of fading out, like a lozenge being absorbed into the walls of your mouth. Slowly oozing away. A slow leak. Please prepare half tones and long exhales. I will provide some counterpoint to this in the form of small wigglings, like worms. Then! For the final 10 minutes, the new thing will grow. The worms will get more lively, you all will multiply the worms; they’ll fester and become more active. They’ll take on brassy, fast, zippy forms and in the final minutes unleash themselves into the world. Newborn!</itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[feeeeedbaaaack]]></title>
			<description><![CDATA[Erkki Kurenniemi had a wonderful way of thinking about music with electronic instruments. He would often say, in Finnish deadpan humor: “Just testing the equipment”.  But, what if we create the equipment and systems that we use? How do we test it? Every part of this broadcast will be from a feedback system of some kind.  It can be a simple delay.  It can be a more intricate granular thing.  It can be a long echo chamber in your basement or two mobile phones pointed at each other, each with a mezcal mic open.  We’ll then take turns sending impulses through the respective feedback systems so we can hear the geometry of the systems we created.]]></description>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2024-08-02T16:10:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Virginia Mantinian]]></dc:creator>
			<pubDate>Fri, 02 Aug 2024 20:10:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2024_08-02-feeeeeedbaaaaack.mp3" length="97345536" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Virginia Mantinian</itunes:author>
			<itunes:summary>Erkki Kurenniemi had a wonderful way of thinking about music with electronic instruments. He would often say, in Finnish deadpan humor: “Just testing the equipment”.  But, what if we create the equipment and systems that we use? How do we test it? Every part of this broadcast will be from a feedback system of some kind.  It can be a simple delay.  It can be a more intricate granular thing.  It can be a long echo chamber in your basement or two mobile phones pointed at each other, each with a mezcal mic open.  We’ll then take turns sending impulses through the respective feedback systems so we can hear the geometry of the systems we created.</itunes:summary>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[En Plein Air]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2024-07-05T16:10:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[August Black, Federico Bonelli, Peter Courtemanche, Florencia Curci, Jeff Economy, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian]]></dc:creator>
			<pubDate>Fri, 05 Jul 2024 20:10:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2024_07_05-en_plein_air.mp3" length="96289536" type="audio/mpeg"/>
			<itunes:author>August Black, Federico Bonelli, Peter Courtemanche, Florencia Curci, Jeff Economy, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Camp Coda]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2024-06-07T16:10:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino, Elisabeth Zimmermann]]></dc:creator>
			<pubDate>Fri, 07 Jun 2024 20:10:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2024_06_07-camp_coda.mp3" length="95451648" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino, Elisabeth Zimmermann</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Conspiracy]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2024-06-06T10:00:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Thu, 06 Jun 2024 14:00:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2024_06_06-conspiracy.mp3" length="229449984" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Snackpoint Charlie]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2024-06-05T20:00:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Thu, 06 Jun 2024 00:00:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2024_06_05-snackpoint.mp3" length="236282356" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[One Thing Leads To Another]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2024-06-05T19:00:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Federico Bonelli, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino]]></dc:creator>
			<pubDate>Wed, 05 Jun 2024 23:00:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2024_06_05-one_thing_leads_to_another.mp3" length="111393792" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Federico Bonelli, Peter Courtemanche, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian, Rodrigo Ríos Zunino</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Noise Volume]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2024-05-03T16:10:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Jimmy Garver, Virginia Mantinian]]></dc:creator>
			<pubDate>Fri, 03 May 2024 20:10:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2024_05_03-noise_volume.mp3" length="114119424" type="audio/mpeg"/>
			<itunes:author>August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Jimmy Garver, Virginia Mantinian</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[Joint Trips: ups, downs, sweeps and spirals]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2024-04-05T16:10:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian]]></dc:creator>
			<pubDate>Fri, 05 Apr 2024 20:10:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2024_04_05-joint_trips.mp3" length="94571520" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Florencia Curci, Jeff Economy, Anna Friz, Jimmy Garver, Maximilian Goldfarb, Virginia Mantinian</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[A Great Leap]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2024-02-02T16:10:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
			<dc:creator><![CDATA[Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Virginia Mantinian]]></dc:creator>
			<pubDate>Fri, 02 Feb 2024 21:10:00 GMT</pubDate>
			<enclosure url="https://assets.august.black/conduction_series/recordings/2024_02_02-a_great_leap.mp3" length="97765632" type="audio/mpeg"/>
			<itunes:author>Betsey Biggs, August Black, Peter Courtemanche, Florencia Curci, Jeff Economy, Virginia Mantinian</itunes:author>
			<itunes:explicit>false</itunes:explicit>
		</item>
		<item>
			<title><![CDATA[The Edge of Awareness]]></title>
			<link>https://conduction.wavefarm.org/</link>
			<guid isPermaLink="false">2024-01-05T16:10:00</guid>
			<category><![CDATA[radio]]></category>
			<category><![CDATA[art]]></category>
			<category><![CDATA[sound]]></category>
			<category><![CDATA[experimental]]></category>
			<category><![CDATA[radio art]]></category>
			<category><![CDATA[sound art]]></category>
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			<pubDate>Fri, 05 Jan 2024 21:10:00 GMT</pubDate>
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			<title><![CDATA[The Sun! (El Sol)]]></title>
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			<pubDate>Fri, 01 Dec 2023 21:10:00 GMT</pubDate>
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			<title><![CDATA[Plumbing Problems]]></title>
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			<pubDate>Fri, 03 Nov 2023 20:10:00 GMT</pubDate>
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			<title><![CDATA[Number Nein]]></title>
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			<pubDate>Fri, 06 Oct 2023 20:10:00 GMT</pubDate>
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			<title><![CDATA[Lost in Translation]]></title>
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			<pubDate>Fri, 01 Sep 2023 20:10:00 GMT</pubDate>
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			<title><![CDATA[The End is Pretend]]></title>
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			<pubDate>Fri, 04 Aug 2023 20:10:00 GMT</pubDate>
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			<title><![CDATA[Deflation / Inflation]]></title>
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			<pubDate>Fri, 07 Jul 2023 20:10:00 GMT</pubDate>
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			<title><![CDATA[Voicing Devices]]></title>
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			<pubDate>Fri, 02 Jun 2023 20:10:00 GMT</pubDate>
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			<title><![CDATA[The Rustle of the Happy Machines]]></title>
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			<pubDate>Fri, 05 May 2023 20:10:00 GMT</pubDate>
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			<title><![CDATA[April Showers]]></title>
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			<pubDate>Fri, 07 Apr 2023 20:10:00 GMT</pubDate>
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			<title><![CDATA[Potential Energy, Ready to Burst]]></title>
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			<pubDate>Fri, 03 Mar 2023 21:10:00 GMT</pubDate>
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			<title><![CDATA[Surveillance Rochambeau]]></title>
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			<pubDate>Fri, 03 Feb 2023 21:10:00 GMT</pubDate>
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			<title><![CDATA[Art's Birthday]]></title>
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			<pubDate>Tue, 17 Jan 2023 21:10:00 GMT</pubDate>
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			<title><![CDATA[RadioTsonami: Swarms, Flocks, Schools, Pods, and Parliaments]]></title>
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			<title><![CDATA[Swarms, Flocks, Schools, Pods, and Parliaments]]></title>
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			<title><![CDATA[Running, oppositional forces]]></title>
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			<title><![CDATA[Rehearsal]]></title>
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			<pubDate>Fri, 07 Oct 2022 20:10:00 GMT</pubDate>
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			<title><![CDATA[Audio Weeds (aka Glitch)]]></title>
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			<title><![CDATA[Fragile Balance]]></title>
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			<pubDate>Fri, 05 Aug 2022 20:10:00 GMT</pubDate>
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			<title><![CDATA[Liberation]]></title>
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			<pubDate>Fri, 01 Jul 2022 20:10:00 GMT</pubDate>
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			<title><![CDATA["In Recognition of Their Desperation" or "I Shot Andy Warhol" or "Radical Feminism"]]></title>
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			<pubDate>Fri, 03 Jun 2022 20:10:00 GMT</pubDate>
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			<title><![CDATA[The Final Frontier]]></title>
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			<title><![CDATA[War in Schizophonic Stereo]]></title>
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			<title><![CDATA[First Dates]]></title>
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			<title><![CDATA[Change Winds]]></title>
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			<title><![CDATA[Prompt:]]></title>
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			<title><![CDATA[Name Your Disaster!]]></title>
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